Around 8pm I decided to take off to Northcott Mouth, a favourite beach just a mile away. I needed to see the sea, maybe do some sketching, but mostly just be. It was a pretty ordinary sort of day and by evening the wind had picked up and it had cooled off; a sign of the weather changing.
It’s these sort of days though that can catch you by surprise; when you think there will be nothing to see and then nature pulls out all the stops seemingly just for me as I stood there gazing. A moment in time when an ordinary evening turned into a sight of wonder. It felt like a lucky strike.
Panorama shot of Northcott Mouth beach
I only had my phone camera but took over 20 snaps as the clouds piled in and the sun dipped. As time went on the light got softer, lower and the sea took on the colours of the sky.
These moments often spark off ideas…. I could create a whole series of paintings from this one evening’s photographs. An entire exhibition of changing light, colour with dramatic skies all from one location.
Too late for my forthcoming exhibition in August ‘The Sea and Me’ but maybe for the next. Indeed, the panoramic shot above reminded me very much of a canvas I painted two years ago which featured the stone bivvy above, “Lifeguard’s Retreat”
A new collective Ingenious Pursuits reflecting the hidden talents of makers in North Cornwall was a weekend event over the May bank Holiday.
The whole idea for the event was inspired and curated by friends Rich and Jane. They own Jacques Cabin, a local company who make beautifully crafted furniture made from recycled woods in a myriad of colours.
Norton Barton farm, a developing business with food and creatives in mind was a perfect venue for this weekend event showcasing the cream of North Cornwall in terms of design. They added a great bar and food from the up and coming producers at Norton Barton.
I was very privileged to be a part of this event. It was cleverly laid out in a big barn over two levels mixing everyone’s work together creating sets reflecting a home.
Two new paintings ‘Sunset over Lundy‘ and ‘Supernova‘ provided the core of my display along with some smaller originals and a selection of framed prints.
The standard of workmanship on the furniture and diversity was stunning and everything was enhanced by artwork from myself, Stephen Brownhill Photography, Merlyn Chesterman and Katie Godden Green with beautiful contemporary lighting from Stuart Lamble Designs whilst Welcombe Pottery , Stone and Ocean and William Peers sculpture added a three dimensional element.
The furniture providing the backbones to the exhibition was stunning and visually beautiful in it’s contrast and style. Exhibitors were the eclectic Jacques Cabin, Max Marshall , Pacha Design and Paul Anderson.
Sunset over Lundy on aluminium
I have just returned from ‘St Ives School of Painting’, having done a four day art course ‘Advanced Abstraction’.
Winter is a great time to be in St Ives, when it is so much quieter. The quality of light is clear and blue and walks along the shoreline skipping the surges are in solitude.
Advanced abstraction with oils was a four day course with charcoal sketching, outside drawing, monoprints, mark making and exploration with oil paints before making more detailed surface work in colour with individual tutorials.
Kerry Harding was very intuitive to our needs and after feeling slightly lost and unfocused over the past few months, I was able to consolidate ideas and made a clear plan to move my art practice forward.
The first time staying away on my own too, and loved it, meeting different people for a glass of wine in the evening and different conversations. If you are thinking of it; do it. There are courses for all levels.
SOME PICS FROM THE COURSE
Monoprint still life
WINTER WALKS around ST IVES ISLAND
People feel a need to create, whether it’s art, gardening, cooking, DIY. “How do you get the confidence to sell myself” is a question I’m often asked. Well, it’s simple… I believe in ME.
That is Being ME, Doing ME and sharing ME. Present and future.
Painting for me personally is a metaphor for living. It’s listening to intuition, your heart, trusting in your ideas and being brave. This is all built on a strong foundation of remembering what excites me, going back to simple things and what and who make my life amazing. This is what gives me confidence and a passion to keep creating an ‘Expression of myself ‘.
I had no idea how to make this painting. I just let it come with a feeling of trust, bravery, excitement and some frustration too. It wasn’t easy, but I always have faith that it will come ok in the end. It’s all part of the journey in art and life.
It’s very easy to be comfortable with what we know. We have an inherent trait to protect, defend and fear the future and what we don’t know. But it’s far more exciting to let things unfold, discover the new, break boundaries, meet new shiny souls and once in a while take a risk. No regrets and all that.