The liquid sunshine of Cornish gorse has filled my coastal journeys this Spring. The beautiful May coloured the coast a vivid yellow matched by my cadmium yellows dark and light and filtered into many of my new paintings.
I usually make a cocktail to match the theme of my annual solo show and this year it has to be the vanilla coconut fragrance and taste of the gorse flower.
The Cornish call gorse ‘Furzey’ probably due to its apparent fuzzy nature but picking the buds wasn’t so easy. A slow arduous process as the darn bushes have some nasty spikes.
There is also a lot of folklore associated with it. The proverb ‘ Kissing is out of fashion when gorse is out of blossom’; it was often used as wedding decoration and if a sprig was tied to the door on May day, you could get a glass of milk and slice of bread as a gesture.
I love painting gorse…..mixing cadmium yellows with paynes grey gives a beautiful warm greeny grey that is in the dark tangled undergrowth and with my loose spatter style, a myriad of yellow profuse and mix to make a dense yellow carpet to depict the gorse in full flower.
The Tate in St Ives has been closed for 18 months while they dug into the rock face to create an enormous new gallery space. (link here to the Guardian for more info) I had an invitation to the opening but thought I couldn’t go as we would be on holiday in Portugal…. BUT lovely Ryanair and the French air traffic control conspired against us and our holiday was delayed by a week.
In a cloud of disappointment and feeling very unsettled, we decided to take off to St Ives as we could now attend the grand opening. As it was it turned out to be fortuitous occurrence as the weather was like summer and the event was incredible.
The new space is bigger than anyone expected with polished concrete floors and voluminous space inside. There is now a permanent exhibition of St Ives artists and history.
A free evening of canapes and tours was very exciting. We even got to sit next to Jon Snow from Channel 4 news in the beach cafe overlooking Porthmeor beach the next day. A very exciting time for Cornwall. I only took a few snaps and have just loaded the one above. I love it because the ceramic tiles on the back look like verdigris copper but are in fact all hand painted and they were incredibly beautiful. You will have to go and see for yourself.
We eventually got to Portugal and had a fabulous holiday. A win win all round.
Painting a a commission of Duckpool , North Cornwall, of the sea and a beach I’m not so familiar with, faced me with a few challenges.
The commission came from a lovely family to remember their first and favourite beach in North Cornwall that held so many memories and years of holidays in the area.
Duckpool is a fairly undiscovered spot in a beautiful valley that runs down to the sea from Kilkhampton in North Cornwall. The roads are steep, narrow and windy and not for the faint hearted, but this affords the most stunning rugged landscape laid out that has not changed for centuries.
The beach is framed by towering cliffs and it’s not difficult to imagine the years of smuggling and hard life in this valley.
I spent some time here just absorbing the feeling of the place and it is often the memory of a glimpse of light that stays with me. This was the case this October with beautiful low sunlight coming through the waves. My clients knew the sea well and loved the light at this time of year, so it seemed timely to include it.
We measured the space to get the best proportion for the painting. Scale is so important and I love a large painting to give impact. With a blank canvas of 140 x 90cm facing me, it’s a brave first step to put some acrylic inks fluidly onto the canvas.
The following pictures show the journey…..
First layers of acrylic inks , sky and distant coastline all forming
Add more form to the rocks
Add details and light to the waves
sparkle and movement with paint spatters
dragging whites and greys to layer water and light
October Light, Duckpool
The finished painting was framed in a tray frame. The wave has light and colour and the whole painting an immense feeling of energy and movement in the sea. The foreground balances the left background with the dark rocks. The stones in the foreground are loosely painted with a variety of colours giving the whole painting a harmonious feeling.
My best to date? maybe it feels like that because of the way I felt challenged. It was certainly worth the effort.
Prints of the painting are available. Please enquire here.